Concert List

Country music originated from the old folk music that the pioneers sang and played as they performance tled across the country. They used wagon trains. That is where a group of people drive their wagons across the country is a single file trying to go further west. At night they would party and the ones that might play fiddles, banjo, and guitars, would play and make up tunes about their experiences on the trail.
Then came along people prefer the Carter family members and Jimmy Rodgers (the singing brakeman) and they came up with a newer style of country tunes. However everything has been acoustical, no electrical instruments. When wannabe singers heard Jimmy Rodgers, they all wanted to sing prefer him. His singing had confidence and you might hear it.
The Grand ole Opry started expansive casting in 1925. This let millions of people hear folk and country music all across the country. The Louisiana Hayride started in 1948 and a lot of singers got their start there. These radio shows made a lot of young kids want to sing, and a lot of them did come on and make stars, each bringing a new style to country music. Recording organizations then didn’t want you to sound prefer somebody else, they want your sound. If the y prefer d it you got a contract.
When Hank Williams has been on the hayride, I had a good friend playing for the hayride. He has been playing when Hank had seven encores for lovesick blues. Then everybody wanted to sound prefer Hank Williams. Hank has been top dog, then came Elvis to knock him off the mountain. Of course Hank had died before Elvis made it. However Hank has been on top following his death.
Every year country progresses to something new. However there’s a lot of people that do not progress with it. A lot still like the old traditional kind of country. That is what makes the world go around.

Soul is still a wonderfully popular music genre which grew out of 50’s rhythm and blues. There were two wonderfully diffined record labels which dominated this era, Stax and Tamala Motown.
The record label Stax started life in Memphis in 1959, founded by Jim Stewart and Estelle Axton. Around the same time Berry Gordy has been creating the two record labels, Tamla and Motown in Detroit. Stax and Tamla Motown became the biggest of rivals for record sales throughout the 1960’s and 70’s. Their music idiom has been the same, with a focus on the Black music form soul, but marketing and style differed meaningfully.
Motown took the music market by storm at a time when white fanss were ignoring a lot of black music forms. Their success has been attributed to their light soul style with their image being aimed at the middle class market. Producing hits such as ‘Stop! In the name of love’ by the Supremes, released in 1965, and ‘Heard it through the grapevine’ by Marvin Gaye, released in 1968. musicians such as the Supremes, the Four Tops and Marvin Gaye developed a clean-cut image, appearing on record sleeves and in gigs wearing formal clothes such as tuxedos and evening dresses.
Stax records concentrated more on the original form of Black American Southern soul. For Stax records the original music form has been more necessary than image and marketing. musicians and tunes included ‘In the midnight hour’ by Wilson Pickett, released in 1965, and ‘Sittin’ on the dock of the bay’ by Otis Redding, released in 1968.
Soul music has stayed one of the most popular music styles right through into the 21st century mainly due to the wonderfully reason in the title, the music gets into your ‘soul’. A good option for both young and old!

A psychoactive is defined as that which has a profound or meaningful affect on the mental processes. Although typically used in the context of drugs and substances, this concept is oftentimes extended to anything evoking a apparently ‘mystical experience.’ What people describe as mystical experiences are indistinguishable, neuro soundly and empirically, from deep and poignant religious experiences. Moments of oneness and insight are typical in both cases. In “The Varieties of Religious Experience (1902),” William James describes mystical experiences as ineffable, noetic, passive (rather, a sense of loss of control), and fleeting. From the remote mystics of Sufism and Kabbalah, to modern day ‘urban shamans,’ psychonauts have sought methods other than imbibement to investigate the cosmos within. Through meditation, breath control, lucid dreaming, sensory deprivation, and a host of other methods, music has stood among cultures in this service probably since early man first danced around campfires.
Ethnomusicolgist Gilbert Rouget explores the connection among music and trance throughout history. Perhaps music is more than simply a mortal construct, rather having cosmic significance. Playing music (and truly appreciating music) forces an individual to focus on the present moment, which in turn is the cornerstone of meaningful experience. This emphasis on the present moment is the consummation of all other psychonautical resources (mediation, entheogens, etc.). Subscribers of the shamanic and mystical oftentimes view the passage of time as an illusion of the human mind, and regard a ‘perpetual now’ as true reality. Interestingly this is where science begins to align with the esoteric.
Quantum Mechanics argues that particles move backwards as well as forwards in time and appear in all possible places at once. String theory proposes that the physical world is composed of little, tiny strings of vibrating energy (It seems appropriate to allude to chordophones). Terrence McKenna, recounting a DMT (Dimethyltryptamine) induced experience, asserts that the unending dance of ‘machine elves,’ (entities occupying a parallel world) produces reality as  we  perceive it. Are the rhythms of music akin to the language of reality? Is music a method of staying in contact with the underlying ‘Logos,’ being the true virtue in which all things exist? Whether it be Spring’s hymn of birds and bees or the elegant, geometrical dance of our physical world, music plays the universal tongue in a reality apparently ripe with babbling discord.

Pop music might include elements of rock, hip hop, reggae, dance, Rythm & Blues (R&B), jazz, electronic, and every now and then folk music and numerous other styles. Pop music performers typically make use of state-of-the-art technology and recording studios to achieve the sound they want, and record producers might have a heavy influence. Pop music generally uses a easy, memorable melody and emphasizes the rhythm, oftentimes with syncopation, and stripped down to a standard riff or loop which repeats throughout much of the song. Pop music is oftentimes criticized for being overly easy and repetitive.
Popular
Popular music is music belonging to any of a number of musical styles that are accessible to the general public and are disseminated by one or more of the mass media. Popular music is music that isn’t something else ( oftentimes ‘folk’ or ‘art’ music). Popular music is associated with (produced for or by) a specific social group. Popular music is disseminated by mass media and/or in a mass market. Popular music is additionally rarely entirely instrumental. Popular music isn’t really about ‘being heard’, but rather about ‘being heard again’; and ‘being heard again and again and again’ is what really popular music is really about. Pop is contemporary music and a common type of popular music (distinguished from classical or art music and from folk music).
The term popular music does not refer especially to a single genre or sound, and its meaning is varying depending on the time and place. Within popular music, “pop music” is oftentimes distinguished from other sub genres by stylistic traits such as a danceable rhythm or beat, easy melodies and a repeating structure. The expansive  appeal of pop music is seen to distinguish it from more specific categories of popular music, and pop music performers and recordings are among the best -selling and most expansive ly known in a lot of regions of the world. The development of recording methods is seen as a major influence on the sound of pop, distinguishing it from classical music and jazz, as well as from some categories of popular music which might seek a more “natural” sound.
Album
In the recorded music era, the single (a single song) and the album (a collection of tunes ) are the usual methods of distributing pop music. Notable highlights for pop music in the 1980s are Michael Jackson’s second Epic label release, Thriller, which went on to become the best -selling album of all time. Jackson has been the most successful artist of the 80s, spanning nine #1 singles in the USA alone during that decade, and selling over 133 million copies with only two albums — Thriller, and its follow-up Bad.
Pop music in the 1980s has been heavily influenced by an electronic sound with synthesizers and drum machines, and dance type music. Pop music, on the other hand, has primarily come into usage to describe music that evolved out of the rock ‘n roll revolution of the mid-1950’s and continues in a definable path to now. Pop music might range from the highly creative, iconoclastic or virtuosic to easy and downright dumb.

In the world of music, there are infinite possibilities for creativity in production. But when it comes to sitting down and listening to your favorite musicians, what’s the best way to do it? Most people do not contemplate it, but throughout the course of this article, you’ll secure possible life-changing strategies to listen to your favorite music. There are 3 primary methods for listening to music; perceptive listening, casual listening, and background listening. Each method will be outlined, and benefits will additionally be discussed. Now is the time to experiment with all of the ways you might listen to your music!
When in the state of perceptive listening, you’re fully aware of your music; that’s the lyrics, rhythm, all of the instruments and components of the track. This state can be difficult to achieve if you have never been a perceptive listener before. It is the most rewarding listening experience, clear ing our mind of everything but the pure sound of music.  we  cannot achieve this state If the re are other thoughts racing through our head; your mind must be completely blank, letting the music take you away. How do you know when you’re in a perceptive listening state? You will become unaware of your environment (closing your eyes is strongly recommended), focusing on virtually nothing in your life but the music going through your head. Your mood will be directed by the type of music you’re listening to, and some will experience a state of Euphoria. When in perceptive listening mode, always aim to be in a Euphoric state, as it will make the music that much more enjoyable. This might guide to becoming more relaxed, having less stress, and an overall improvement in life. If you have not given perceptive listening a try, do it right following you finish this article. What have you got to lose?
We invest a lot of time in the Casual listening mode, which is the line right among Perceptive and Background listening. You are fully aware of the lyrics/rhythm, and auditory elements are comprehended.  we  are oftentimes performing some task that distracts us from the full perceptive state, so euphoria can’t be experienced. When listening casually, our mind only donates part of its attention to the music, so only part of us is affected while listening. Our mood does differ along with the music, but it is generally a weaker feeling than perceptive listening. While  we  listen to music casually for a long period of time, our subconscious processes the information, and tunes have a tendency to get stuck in our heads. Unfortunately, you can’t be fully immersed in the music, and that takes away a key element of pleasure. Since  we  invest so much time casually listening to music,  we  think this is the most involving method of listening. Practice perceptive listening, and you’ll see the vast difference.
At times,  we  have so a lot of mind-numbing tasks to do, hitting the play button is the only way to keep our sanity. This is called background listening, and it advocates us get through our c hall enging days. Casual listening is wonderfully common among teenagers who study for tests, and generally people who listen to music while working with their minds. This is when  we  are in the weakest state of music perception, and auditory elements aren’t oftentimes comprehended. You might get so caught up in a task that you forget any music is playing. Because our mind is focused on so a lot of things, our mood will be least affected by music. Obviously, this isn’t how music has been intended to be listened to. So what benefits does this bring? Lets look at Johnny: Johnny is studying for his math test, and he is really struggling on a concept. He puts on his headsets on low volume background listening to advocate him relax, and suddenly he is able to comprehend his math problems. On the day of the test, he might actually play back the song in his head, then his subconscious will recall his studying, and that advocates him recall the necessary math concept s. Johnny gets an A on his test….So you see where this is going; background listening affects the subconscious mind, which leads us to the  final point. Memory. As shown in Johnny’s case, memory can be expanded by listening to music in the background. So what are you for? Listen to more background music, enhance your memory!
Perceptive Listening, Casual Listening, and Background Listening. Each one has its pros and cons. When possible, try all 3 techniques, and see which one you prefer the most. If you have not experienced the thrill of perceptive listening, you have to try it soon. If you have not relaxed to some casual listening, you might want to give it a shot. Some people, however, aren’t able to have music in the background while working. You know who you are. Give these techniques a shot, you never know what kind of amazing improvements might come about in your life. It is the little things that might make a large difference. Rediscover your music, rediscover the way you listen to it!

This is a personal opinion and accordingly, I do not want any hate mail from Country Western fans, which I know are fanatical and omnipresent. I do have my favorites, from a chauvinistic man’s point of view. I think that Shania Twain and Faith Hill are sexy and I enjoy several of their videos plus some of their tunes. But is it because they’re large country western stars? No way. I’ve a problem listening to most of the Country Western stuff because it all is beginning to sound the same. I can’t tell a Randy Travis, Tim McGraw, Toby Keith or Alan Jackson song apart if my life depended on it.
I grew up on the Jersey shore and a lot of of you might, accordingly, think I am unqualified to make such a judgment. But hold on. I’ve spent the final 30 years in Arizona. Does it get more country or western than that? You know, the home of Tombstone, Wyatt Earp, and where the ‘Little House on the Prairie’ has been filmed.
So I am a transplant with an attitude. Do not get me wrong, because I’ve given it a try. My late wife has been from West Virginia and, during her mid-life crisis, began playing Country Western music continuously for five years.  we  had all the compact disc ’s, radio stations on preset, and even watched the Country Western awards on TV. I might recognize all the large names, the latest hits, and who has been new to the scene. Through it all, I really tried to enjoy the sound, for her sake. But, eventually, I wandered back to my classic rock and roll, jazz, or blues.
I play the harmonica and keyboard and have oodles of sheet music. I’ve attempted to play a few of the recent Country Western popular numbers, but to no avail. I’ve several of the older Country Western classics that have crept into mainstream by Johnny Cash and Ernie Ford, but they’re few and far among. The current tunes have become a formula that’s fodder for Jeff Foxworthy and his ilk. According to people prefer him, it goes prefer this:
You start with a sad premise. You’ve lost your: (fill in the blank) i.e., girl, dog, pick up truck. They were your first : love, companion, way of freedom. You recall their: smiles, wagging tail, leather seats. You wish you might, once again, feel their: hair, fur, gun rack. You really miss their: smell, smell, smell. You would do anything to get them back: tell her you love her, rub her cute little tummy, (or did I’ve those reversed?) hose her engine compartment. While you’re waiting for them to return, you’ll have to: do your own laundry, fetch your own paper, walk to the liquor store. In other words, it is not a pretty sight.
So that’s my gripe with Country Western. They differ the harmony, the lyrics and the tempo, but the message is clear. I yearn for a total differ of pace where I might get my ‘Satisfaction’ or ‘Light My Fire.’ But I additionally have troubles with Hip-Hop, Rap, and Grunge. So, let’s say I’ve got issues and be done with it. And, to all you Country Western lovers out there, stick with your music and do not let a basher prefer me differ your tune, pardoning the pun. And did I mention the two things I do prefer about Dolly Parton?

Good music makes it nearly impossible to believe or comprehend that our country is in such turmoil.
Listening to numerous musicians while browsing the Net and reading about the financial disaster  we  face, the music soothes my soul and tells me that there’s no way a country that fostered these wonderful musicians might be in such dire straits.
The melodies and refrains tell me  we  are amazing people.  we  have compassion, skill, integrity, spontaneity, and innocence.  we  prefer to have fun.  we  can get down and boogie all night, then get up in the morning all meaningful and go to work. Where did all this complicated, deceitful, financial mess come in? Should  we  take Congress out for a night on the town, make them dance till they sweat so they might recall how it feels to be human?
Do they contemplate anything but money? might be they need to loosen up, recall that life is for living, not for being owned by a person, that the large picture is this:  we  are here.  we  can pick to enjoy it, or  we  can pick to try to control every facet of it and anybody involved.
They have forgotten how to live. They exist to feed, to control, to breed their kind, to be superior, to feel supreme.
Yet, the music still plays for me. If our nation is as desperate as it seems, if all hope is gone, then why hasn’t the music died?
I believe it lives because there still exists a large number of humans who have not forgotten what hopes and dreams mean. Through all of this turmoil,  we  continue to turn on the music, let our feet move, and sway to the beat of love, of life, of self-expression, and to the beat of our hearts saying  we  are still Americans,  we  are not to be defeated.
Rock on, Americans. Turn up the volume! They will have to hear us eventually! Let’s make them dance to our tune!

“ tunes go far beyond words in their ability to insert emotion into communication.” Robert Sylwester, A Celebration of Neurons
Filmmakers, If the y knew who brain researcher Robert Sylwester has been, would agree with him. They oftentimes integrate familiar tunes into their movies. Pop tunes are so successful that movie producers will pay exorbitant sums, in some cases as much as $100,000, to acquire the rights for the song.
Sylwester, in his book A Celebration of Neurons, went on to explain:
“The tunes of our adolescent years oftentimes become the beacons of our adult life because they might advocate us to recall the necessary developments of our adolescence.  we  oftentimes listen to this music to relive the memories in the extended reverie of song. The song slows the easy message so that  we  can savor all the feelings of the experience.”
In a film composer’s hands, pop tunes are chosen and linked to those memories in a way that adds emotional texture to the film. Films with pop music scores function on two distinct levels. The first level is the application of the song in the film. Every song lyric tells a story and a well placed song’s story will dovetail with the film’s visual.
The second, and deeper, level is the emotional meaning the use of specific tunes brings forth within the listener. The tunes become metaphors, placing the subject to be taught in the context of the learners prior experiences. When people hear tunes they know, and have personal memories of, they immediately are drawn back into those memories, and the experience is enhanced. In essence, pop music advocates us relate to the story being related in a deeply personal, highly emotional way.
Three famous films used this technique to achieve success.
American Graffiti (1973), telling the story of a group of early 1960s high schoolers enjoying a final summer before adulthood, has been intentionally designed as a series of pop music vignettes. George Lucas, the film’s director, developed the storyline, and selected the tunes to al most simultaneously.
Each scene matched the length of the song accompanying it. For instance, Bill Haley’s “ Rock Around The Clock,” played during the chance credits, performance up the film’s innocence of summer theme. The Crests’ “Sixteen Candles” accompanied a young girls sixteenth birthday. “Teen Angel” by Mark Dinning has been played when a character dies in a drag race. The film ends with the Spaniels’ “Goodnight, Well It is Time To Go.”
The Big Chill tells the story of a group of former 1960s radicals turned 1980s yuppies who gather to mourn the passing of an old companion. prefer American Graffiti, The Big Chill uses pop tunes, although in this case, to add commentary to the on-screen occurrences.
Marvin Gaye’s “I Heard It Through The Grapevine” accompanied the actors as they hear about their friend’s passing. “You Can’t Always Get What You Want” by the Rolling Stones is played as an ironic commentary on the friend’s death. As the friends discuss relationships, The Young Rascals “Good Lovin’” is performed. Lastly, “Bad Moon Rising’” by Credence Clearwater Revival is played immediately following a former lover proposes that she and her old flame reunite for an evening.
The best subconscious music placement occurs in a supermarket among the two former lovers who contemplate rekindling their relationship. Although their desire for each other is palpable, both hold back, only conversing about the shopping task at hand as the store’s Muzak system plays Frank Sinatra’s “Strangers In The Night.”
Forest Gump tells the story of a dimwitted man who experiences a series of life adventures over several decades. Because the film’s extended time frame, the music serves to create the time and place.
Credence Clearwater Revival’s “Fortunate Son” performances up Gump’s Vietnam tour. To state that Forest’s girlfriend has moved to California, California Dreaming” by the Mamas and Papas is used. “San Francisco” by Scott Mackenzie frames Forest’s 1960s visit to San Francisco. When Forest returns home to Alabama, Lynyrd Skynyrd’s “Sweet Home Alabama” is played. These music placements advocate the films fans comprehend the varying locations and eras represented in the film.
American Graffiti, The Big Chill, and Forest Gump were all highly successful films, and their pop song application played a immense part in creating that success. All three films appealed to people at a deeply personal level.
Pop tunes in Learning
In Training With A Beat, I discussed at length the application of pop tunes in the learning environment. In part, I said:
“Concert hall s, ballrooms, parties, and yes, the class room, can be uncomfortable environments. When people hear a song they’ve listened to in the privacy of their home, they relax. Comfortable music emotionally warms the training room, placing learners in a receptive frame of mind for learning. tunes with lyrics, especially popular hits of the final 50 years, are extremely useful for this reason. They are old, well worn, welcome friends.”
tunes with lyrics additionally engage learner brains in multiple ways. The words and rhythm of a song are largely processed in the brain’s left hemisphere, where the melody is  largely processed by the right hemisphere. By using tunes with lyrics, you advocate your learners engage both hemispheres. In the process, they secure a deeper meaning than is possible with one hemisphere alone.
Song lyrics can, as has been the case in The Big Chill, speak directly to the learning topic.
The a lot of applications are too numerous to state in this one article, but several examples should prove the point:
Career preparing – “All Star” by Smash Mouth
Change management – “Bad Day” by Daniel Powter
Communication – “Hello, Goodbye” by the Beatles
Conflict management – “Shut Up” by the Black Eye Peas
Customer service – “Lean On Me” by Bill Withers
Diversity – “Short people ” by Randy Newman
Finance – “Takin’ Care of Business” by Bachman-Turner Overdrive
Project Management – “One Little Slip” by the Bare Naked Ladies
Sexual harassment – “Respect” by Aretha Franklin
Time management – “Right Place, Wrong Time” by Dr. John
Once you have decided on an appropriate song, placement is easy Considering the Randy Newman song “Short people ” for example:
Introduction – play the song as the learners enter. Once the song is over call attention to the tunes lyrics and ask for comments about the meaning conveyed by those lyrics. Use those comments as a transition to your presentation.
Filler – play the song during breaks to add a subliminal message to your content.
Activity – Divide your learners into groups and instruct them to read and discuss the lyrics. Then guide a general discussion to share each group’s observations.
Conclusion – Conclude your performance by stating, “We are all short people in a person ’s eyes.” Then ask the rhetorical question, “If none of us were welcome around here, who would be left to complete our work?” Create the song and thank anybody for attending. Your learners will walk out of the classroom with the song and its lyrics firmly implanted in their brains, and you’ll have closed with a visually persuasive learning point.
Given the large number of pop tunes available, the options are limited only by your imagination and the musical preferences of your learners. You too might have your learners, in the words of the old song by “M”, “talkin’ ‘bout pop music.”

Pop music is a type of popular music notable from classical or art music and from folk music. The term indicates specific stylistic qualities, but the genre additionally includes elements of rock, hip-hop, dance, and country, making it a flexible musical form. The definition of pop music is purposefully flexible as the music that’s identified as pop is unending ly changing.
The expression pop music might additionally be used to refer to specific sub genres (within the pop music genre ) that are referred to as soft rock and pop/rock. The pop music genre additionally oftentimes involves mass marketing and consumer-driven resolutions by major record organizations and music labels, which makes it an oftentimes -scorned genre by non-mainstream musicians as they feel that the quality of music suffers.
The average consumer of pop music is oftentimes identified to be in his or her teenage years, making it an necessary icon of youth culture. Pop music has always been the source of numerous moral panics, especially as a lot of of the styles that influence it trickle up from minority groups (racial, ethnic, sexual or class-based). This is partly because youth culture itself is an object of social trepidation. It is tempting for anybody to confuse pop music with popular music. According to the New Grove Dictionary of Music and Musicians, popular music is identified as the music since industrialization in the 1800’s that’s most in line with the tastes and interests of the urban middle class.
This would include an extremely expansive  range of music from vaudeville and minstrel shows to heavy metal. Pop music, on the other hand, has primarily come into usage to describe music that evolved out of the rock n roll revolution of the mid 1950’s and continues in a definable path to now.
One of the steadiest elements of pop music since the 1950’s is the pop song, which isn’t oftentimes written, performed and recorded as a symphony, suite, or concert o. The standard form for pop music is the song and oftentimes a song consisting of verse and repeated chorus. They are short in length but there have been notable exceptions though. The Beatles Hey Jude has been an epic 7 minutes in length. However, in a lot of cases, If the song is abnormally long, an edited version is released for radio airplay such as in the case of Don McLean’s wonderfully famous American Pie. It has been edited down from its original 8 1/2 minutes length to just over 4 minutes for radio airplay. While on the other extreme, some hit tunes clocked in less than 2 minutes in length.
prefer other art forms that aim to attract a mass fans (movies, TV, Broadway shows), pop music has been and continues to be a melting pot that borrows and absorb elements and suggestions from a expansive  range of musical styles. Over the past five decades, pop music has been influenced and in business d genres of music prefer Rock, Rythm & Blues (R&B) in numerous ways. Most recently, Latin music seems to be impacting pop music more meaningful ly than at any point in the past.
Although pop music continues to be a melting pot of styles, there is a type of pop music that claims to be pop music in its purest form. This music, oftentimes called pure pop or power pop, typically consists of relatively brief (not over 3 1/2 minutes) tunes played on the standard electric guitar, bass and drums with vocals that have a wonderfully strong catchy chorus, or hook.
In the 2000s, hip-hop blended in with pop music, is paving the way for the multi platinum successes of musicians prefer Nelly, Eminem, 50 Cent, Ludacris, Ciara, Beyonce, Justin Timberlake, Nelly Furtado, Christina Aguilera, Gwen Stefani and especially Britney Spears. musicians such as Mariah Carey and pop queen, Madonna, presented comeback albums that continued to make them rule the music charts and keep their titles.
For the past 50 years the most successful musical styles on the pop charts have continually differ d and evolved and times will tell as how much more popular they become in future.

Music is always the part of our lives ever since the stone age.
There are a lot of categories of instruments which make their own sounds as well as certain pieces of junk. The stringed section allows one to make sound by using the strings prefer on guitars, and violins. The strings are tightened at a certain length for notes high and low. Wind instruments, such as wood and brass, make soft sounds and loud sounds with air flow and valves to control the notes. Symbols and bells of all kinds and sizes can be heard when tapped on and drums are the same way but with beating sounds. Computers and easy objects have their own sounds which can be used for music.
a lot of famous names now and in history dedicated their lives for music and wrote a lot of famous numbers that are forever recall ed in all fountains of information. As known, tribal music came first with primitive drums and other easy instruments. Classical has been next in line with more sophisticated instruments making it loud and lively. After classical, a lot of kinds came to existence prefer early rock and roll, modern rock, and hip hop. There’s reggae, jazz, rhythm and blues, barber shop style singing, and cultural music. a lot of people who love music so much that they might want to make a career out of it to be famous and/or just for fun.
It keeps us entertained even if  we  feel down in the dumps. a lot of kinds of music were invented from a lot of cultures around the world past and present. Voices and instruments make this activity come to life in a lot of ways.